I found this poem in a chapbook entitled Counting Descent by Clint Smith, who is one of my favorite poets/writers/people to follow on Twitter. I was reading when I came across this poem and naturally thought this could serve as a good blog post, especially since we’re going to be looking at Blood Dazzler in class soon and we looked at poems in class last week. Read more
After completing my first blog post with relative ease, I found myself slipping into a state of acute stress regarding my impending second post. I, much like Jenna explains in this post, was worried that whatever I had to say wasn’t going to be significant enough, or worth a reader’s time. The content in this class seems TOO significant for me to put into words in a single blog post. Yet, I’m going to keep trying.
So, there’s my disclaimer: I can’t solve the world’s problems on the blog, as much as I may want to. Now that that’s out of the way and I can write without feeling like I need to do something revolutionary, Roach’s definition of effigies and his explorations of the implications of dead bodies in propinquity (hopefully, I used that term right) to the living have all been circling around my brain. These thoughts were only heightened with watching When The Levees Broke in class.
Since I’m familiar with the blog assignment, because I’ve taken a few classes with Beth before, I thought maybe I’d start off the conversation specifically related to ENGL 432. I know we haven’t delved too far into the course readings, but I thought that I could provide some useful thoughts on some of the introductory discussions we’ve had and an interesting piece of news I came across today. Read more
While I think there is a benefit to examining specific similarities between Morrison’s Jazz and Dante’s Purgatorio, I also believe that, in order to make more progress on this project, it is important to also see these similarities on a broader level. I’m almost finished with Purgatorio, but now I’ve read enough to be able to see some larger trends that are present in both texts. Through my reading, I’ve found four distinct threads that I feel are important for both Jazz and Purgatorio. These can then be further subdivided and of course are up for debate (and I definitely think my own thoughts would benefit from larger discussions). I thought perhaps this organized list would be the best way to show my thinking:
In my rereading of Jazz, I was intrigued on page 30 when Morrison begins a paragraph with, “They met in Vesper County, Virginia, under a walnut tree.” I knew that Vespers was a type of prayer, and so immediately I marked it in my text, knowing that at least it had somewhat of a (potentially superficial) connection to religion, and therefore potentially Dante.
**I’ll just start with saying that this is definitely going to be one out of a few blog posts I write in the next few days. I’m seeing a lot of connections between the two texts and have just some other thoughts on this whole process/project and I think that my ideas are best understood if they’re separated into different posts, rather than one giant one. So, bear with me if my name pops up here a ton.**
In my last post, I was thinking about the three categories of love that Dante splits Purgatory into: Misdirected Love, Deficient Love, and Excessive Love. I’ve been trying to compare this to how Morrison uses love in Jazz. So last night I became the human “control + F” and scanned through Jazz, trying to find every use of “love.” What I found was that the word love often was described with an adjective; and (get this!) in a book supposedly about “couple love,” according to Morrison’s forward, the word itself was used WAY more in the beginning of the novel. I haven’t quite figured out where I’d place that in terms of connections to how Dante uses love, but I figured I’d share the ways in which Morrison uses the word here:
I figured I’d post this after finishing Jazz now for the second time. Literally like right after. I think I put the book down three minutes ago. There’s a feeling that comes after finishing a novel and if you don’t act on it, it goes away. So I figured maybe I’d try to capture it in a post. (This might be long) Read more
When presented with the chance to do research on Morrison, and specifically her connections to Dante, I was thrilled; it felt as if I was getting the chance to do real things in terms of literary analysis in a new, more professional atmosphere. But I found myself easily frustrated and overwhelmed because I simply wasn’t sure where to start.
I may as well start with the disclaimer that I read this chapter mainly for content, seeing some connections to Jazz and Purgatorio; I think it’s safe to say that mentions of the Great Migrations naturally make my brain think to the concept of movement in both Dante and Morrison’s works. Besides that, however, I can’t say that I have any concrete connections– then again it’s only chapter 1. Read more