Standard conceptualizations of culture account for both tradition and, seemingly inevitably, progression as a function of passing time. In his analysis, however, Snead establishes white/European culture and black culture in a condition of opposites: whereas an impulse to transform imbibes white culture, a comfort with repetition characterizes black culture. Although ethnocentric observers like Hegel might conflate a penchant for repetition with “backwardness,” I think that, juxtaposed with white cultural flightiness, black repetition indicates soundness in identity (Snead 63).
General invocations of white culture often exist in vague, yet deeply held, sentiments—like those expressed by white folks whose historical miseducation enables them to cherish, albeit inappropriately, Confederate iconography. Continue reading “The confidence of repetition in black culture”
Moonlight was a phenomena, Get Out was a tragedy, and Black Panther was mystical. In the case of all these films, I always was left with a feeling that black culture was inherently being put into opposition. In context to Black Panther, the whole film embraces the beauty that is the African diaspora and ties it to concepts of afrofuturism. When I looked at both James Snead’s work and Hagel’s eurocentric perspective on black people, establishes that blackness is in contrast to Western and western based communities. Continue reading “BKS 188- Afrofuturism-Week 1 Reflection”
I sat down at my desk to read the class assignment never thinking, however naïvely, that the content would be quite so jarringly racist. I am sure my reaction to the Hegel excerpt was in no way unique, nonetheless I would like to share my thoughts on the reading, in the particular the racism.
Continue reading “Smith BLKS188 Fall 18”
I haven’t posted in a long time. I’ve been getting lost in rabbit holes every time I sit down and try to write a post, and I’m finding myself attempting to make some massive work displaying the parallelism Morrison creates in Jazz to the structure of purgatory, first analyzing on a large scale, and eventually focusing solely on Joe and how he recreates himself seven times, and how his last name, Trace, is only two letters away from “terrace,” and how there is no way that that’s an accident… I could go on for a while. Continue reading ““Moving on to an outcome””