This Is Not Making Paint

In Sarah-Anne Michel’s blog post, “This Is Not a Post,” for the Art of Steve Prince class, she presents analysis of one of my favorite works of art. “Treachery of Images” is a painting by Rene Magritte in 1928 in which the text seems to contradict the image. While the image is of a pipe, the French text underneath translates to, “This is not a pipe.” Magritte’s rationale for the text is that because the work depicts an image of a pipe, it is not in fact a pipe. I think Sarah-Anne sums up the complexity well with her statement, “words can mean what they say and not say what they mean.” In another context a reader may be presented with a text that faithfully describes the aesthetic of a pine tree. And yet, if the reader interprets, “This is a tree,” they are missing that it is the authors portrayal of a tree. The author’s unstated purpose may be to promote preservation of wildlife, so they may manipulate their portrayal of the pine tree to suit that purpose. It’s up to individual viewers/readers to be vigilant about interpreting how a work may mean more than it says.

Of the texts we have read so far, I think one that most clearly demonstrates the distinction between surface meaning and subtext is Chapter 10 of Ralph Ellison’s Invisible Man. Continue reading “This Is Not Making Paint”

My Theory Between “Big Machine” and “Us”

During the “Into the Lungs of Hell” section in Big Machine, protagonist Ricky Rice is assigned by the Dean of Washburn Library to complete a mission in Garland, California. With the Gray Lady as his accomplice, Ricky was the chosen Unlikely Scholar to kill Solomon Clay, a former Scholar gone rogue. The Gray Lady informed Ricky that Solomon’s plan included assembling the homeless population to commit mayhem in society. I found it interesting that a Scholar picked a social class that is often disregarded in society to be his vengeful army to wreak havoc onto others. After reading this section, a light bulb went off for me, and that is how my theory of Jordan Peele’s Us relating to Big Machine came to be.

***Spoiler Alert: I will try my best not to spoil the movie for those of you who haven’t had the chance to see this movie yet. I will merely provide information from the film that relates to the book as an attempt to prevent revealing the ending. Continue reading “My Theory Between “Big Machine” and “Us””

Everything is Not (But Sometimes is) What it Seems

When I view artwork, I always try to find a deeper meaning. But there isn’t always an implied meaning for artwork and that is what I discovered recently. For some reason, I always try to dig deeper into artworks, my brain automatically tries to find a deeper meaning, an underlying message or hidden symbols within the artwork itself. However, while making art, I don’t think about these aspects during the creation process and I found this rather interesting. While reading some of my classmate’s blog posts, I found Melisha- Li Gatlin’s most recent post very intriguing and helped answer my thought.

She says, “When I look at art, I assume that the piece in front of me is the initial message the artist intended for the audience. Now, I am starting to realize that some art can simply be a beautiful mistake. By beautiful mistake I am referring to obstacles the artists face during the process that turn out to make the piece into something the artist had not imagined. Another assumption I make is that there is a deep-rooted meeting behind each piece of art. This assumption was proved wrong throughout the exercise as my group and I started putting colors together just for fun”

I started drafting this blog post a couple hours before Prince gave his “Kitchen Talk”, which opened my eyes to the other side of the creation process- deliberate symbols and deeper meanings embedded in artwork. But some artists don’t use this technique when creating their artwork, which is something I had never considered.

Continue reading “Everything is Not (But Sometimes is) What it Seems”

Doubting Doubt

“Doubt is the big machine. It grinds up the delusions of women and men.” 

Thinking about cycling back and indefinite iterations, this course epigraph, what my first blog post of the semester dealt with, came up in my group’s discussion on Monday. This quote was the closing for chapter 50, the most recent section we were supposed to read, and one of my group members asked something to the effect of “what do you think of the course epigraph now that you’ve seen it in the book?” Continue reading “Doubting Doubt”

Empowerment Through Dance

Before walking into class I knew nothing about Dr. Mark Broomfield and what he teaches. All I knew was to wear comfortable clothes to move around in. Therefore, when I walked into class on April 1st, 2019, I was stunned. The classroom was turned into a dance studio. Dr. Broomfield instantly got to work with dancing. He wanted me and my fellow classmates to ground ourselves in the music, and connect with each other. First, we started off simple by following the beat of the music through the shuffling of our feet. At first, it was strange to see everyone dance. But, I took it upon myself to let loose and have fun. I treated it as if I was in a Zumba class and allowed the music to dictate my movements.

Continue reading “Empowerment Through Dance”

Production and Consumption in the Classroom

This semester I have to complete a thirty-seven-hour practicum for one of my education classes. The school in which I have been placed in is a very small and rural school not too far from Geneseo and also not too far from my own personal high school that I attended. Although, not very far away the culture shock that I have experienced has been substantial. Throughout the time that I have spent at this school so far, I have learned that a great deal of the students within the high school is at a reading level that is significantly lower than what it should be. With so many struggling students within the school I have interpreted that many of the teachers feel as if there is nothing to be done, other than just present them with the curriculum and hope for the best.

Continue reading “Production and Consumption in the Classroom”

The Unlikely Scholars

While we were touring the heating plant on the Monday after break, I feel as though the general consensus was confusion. What are we doing here? What does this have to do with African-American Literature? This reminded me of Victor Lavalle’s novel Big Machine and the unlikely scholars. On page forty-nine of the novel, Victor writes, “Here was my first real job as an Unlikely Scholar and I had no idea what to do… But not a damn thing stood out. I knew there must be some reason I’d been given these papers, but I didn’t understand the motive. I felt lost” (Lavalle, 49). Until Ricky and the fellow unlikely scholars all dived into work and focused on what the task at hand could be, they were still in that preliminary state of confusion, just as my group was. “Now me and the other six Scholars floundered and gasped… The others were as committed. The others were as confused” (Lavalle, 49). It was not until we were all working on the collaborative blog post this past week, that we realized there could be connections between the heating plant tour, the nature poems, Invisible Man, and Farming While Black. The fact that all these texts were connected somehow was mind-boggling to me.

How could a heating plant, a chapter about someone working in a paint plant, and some chapters about caring for the Earth all be connected? As my group worked together and we realized that there were indeed connections, I almost felt like Violet in Big Machine, “A single green folder sat on the left side of her desk, with a two-inch stack of papers inside it. Violet opened the folder for us and took out the contents. There were typed notes and handwritten memos, faded receipts for meals and travel, and a series of Polaroids” (pg.50). With today’s advanced technology, I feel as though the Google Docs document that was started as a place for us to write our thoughts in a way kind of serves as that green folder where Violet stored all the pieces from the newspaper clippings.

A topic of discussion that came up in my collaborative blog group, and has come up in other classes in past semesters is the debate between print books or e-books (Kindle, Nook, or any other e-reader). After our discussion, I began to think about the unlikely scholars and how much easier their job would have been with technologies such as these instead of “a big gray computer sat on the desk, but it wasn’t new. I saw little white tags on the side of the monitor and the hard drive. Both read REFURBISHED” (Lavalle, 48). Could it be argued that their job was more rewarding because they did not have these technologies? Having to dive into the stacks of newspapers every day and having to make connections on their own instead of just typing something into the Google search bar, may have made the “high” of the connections forming much better for the unlikely scholars.

“What My Child Learns of the Sea” and Sustainability

The collaborative blog post project inspired me to reflect on my role in the world and the impact that my actions have on the sustainability of the planet. I also considered how through our interactions we impact each other’s lives, specifically in regards to the products of our group work. While I was thinkING about this process, I recalled Audre Lorde’s poem “What My Child Learns of the Sea.” My first interpretation of this poem is of the impact that a mother has on the experiences of her daughter. After reviewing the ideas surrounding sustainability with my group, I reread this poem and grasped a new understanding of it. Continue reading ““What My Child Learns of the Sea” and Sustainability”

A Master and The Apprentice

In my Western Humanities course (HUMN221) at Geneseo, I was given the task to read a speech given by Frederick Douglass which he gave at Rochester, New York by the title of “What to the Slave is the Fourth of July?” In the entirety of his speech, Douglass questions what freedom African Americans have received in the United States after its independence from Great Britain. Douglass says that the “blessings in which [white people]… rejoice, are not enjoyed in common” with African Americans. He is in shock that they must “prove that [they] are men!” Having to prove and question the blessings that others receive and what they don’t, reminds me of Ella Jenkins version of “Wade in the Water”. In this song, the fugitives question God’s ability to save them when they sing “Didn’t my Lord deliver Daniel well/ Then why not every man?” While this point does pique my interest,  I am also particularly interested in exploring the modern version of the song, “Hey Little Walter” by Tony! Toni! Toné! In which the main character, Little Walter, seems to be receiving blessings but is actually not. This brings me to highlight the transformation these songs go through to adapt to current problems the African-American community is experiencing.

The purpose of the hook in a song is to catch the ears attention by having a set of lyrics being repeated throughout. In “Wade in the Water” the title of the song is the actual hook. This hook is a reminder to those in the journey that as long as the stay by the water they will not be caught by dogs. In the modern version of this song by Tony! Toni! Toné! the hook is “Hey Little Walter” which is also the title of the song. The hook’s purpose it to catch Little Walter’s attention since he keeps avoiding the speaker of the song, his roommate. While there are exact lyrical differences between throughout both songs, their titles are the hooks for the song. In addition, both hooks are a voice of guidance towards their audience which for “Wade in the Water” are fugitives and for “Hey Little Walter” is for all the Little Walter’s out there who are following his footsteps.

One other aspect of these two songs I will discuss is the main character’s journey within the song. In the Jenkins version, the fugitives would wade and “wash the sins (slavery) all the way.”  The trip was dangerous as they ‘washed till [their] hands were sore” telling us how long and tiring this trip was. While some were able to complete their journey by escaping, some “could wash a-no more” and would not make the whole trip. While the journey the slaves go through fits the literal definition of a journey, in “Hey Little Walter” is completely different. The journey between both the speaker and Little Walter’s relationship. The speaker’s journey is him trying to work things out with Little Walter until he starts noticing his ability to waste money on other things besides what he is responsible for. Towards the end of their journey, the speaker  “thought [having to straight Little Walter] would be short, but it lasted half the night” followed by Little Walter being shot in the head.

Although I was aware of song covers and parodies, I am amazed at how the songs are somewhat reconstructed where we can still recognize its origin. I now wonder if this is present within other cultures too.

The “Cult” of Academia

This is my second time reading Big Machine, and I still find myself puzzling over the Washerwomen and the power they held over Ricky and his family, all while preaching a gospel of doubt: “Half the Bible is folks getting tricked! So maybe we rethink doubt. Not as our enemy but our ally.” This perspective surprises me because it seems that most systems of faith, both religious and secular, emphasize loyalty above all else. In my mind, loyalty and doubt will always be at odds.

Continue reading “The “Cult” of Academia”