The confidence of repetition in black culture

Standard conceptualizations of culture account for both tradition and, seemingly inevitably, progression as a function of passing time. In his analysis, however, Snead establishes white/European culture and black culture in a condition of opposites: whereas an impulse to transform imbibes white culture, a comfort with repetition characterizes black culture. Although ethnocentric observers like Hegel might conflate a penchant for repetition with “backwardness,” I think that, juxtaposed with white cultural flightiness, black repetition indicates soundness in identity  (Snead 63).

General invocations of white culture often exist in vague, yet deeply held, sentiments—like those expressed by white folks whose historical miseducation enables them to cherish, albeit inappropriately, Confederate iconography. Continue reading “The confidence of repetition in black culture”

BKS 188- Afrofuturism-Week 1 Reflection

Moonlight was a phenomena, Get Out was a tragedy, and Black Panther was mystical. In the case of all these films, I always was left with a feeling that black culture was inherently being put into opposition. In context to Black Panther, the whole film embraces the beauty that is the African diaspora and ties it to concepts of afrofuturism. When I looked at both James Snead’s work and Hagel’s eurocentric perspective on black people, establishes that blackness is in contrast to Western and western based communities. Continue reading “BKS 188- Afrofuturism-Week 1 Reflection”

The Rock Thing

I’d like to start things off with some hope and motivation, along with somehow avoiding the dreaded “p” if at all possible. My first post in this instance would be the deal (insert Seinfeld quote here) with rocks during our starting class. The first thought I had was that the question McCoy shared with us was more of a trick -a metaphorical one, at that. Family, for example. Sometimes a family is referred to as a rock, a place of solidarity and origin. That, or just a heavy, profound, and sometimes rough and or vexing kind of rock. Mine may or may not be close to the latter, since I only said Igneous because it just sounds friggin’ cool.

As for the rocks, the heaviness of natural disasters (eg. hurricanes, earthquakes, tornadoes, etc.) also came to mind, or perhaps that was just my weird mind thinking too far ahead in the syllabus, along with my still-present hope that I may actually post nine more of these things and maybe add some genuine desire into them rather than a required means to an end. All in all, I wouldn’t be surprised if family, or the foundations of solidarity may play some role in our future discussions. That, or something that may or may not blow my mind. Maybe even convincing me that Igneous doesn’t sound all that cool…possibly.

Oh, and geodes are rocks.

Every Storm Has Its Soundtrack

Something I’ve always connected to is music. Music is incredibly powerful, cathartic, and has a way of connecting people. We’ve studied natural disasters all semester, and after every hurricane we discuss, I find myself thinking about how crucial of a role music plays in helping communities heal and rebuild after.  Often musicians will write songs after catastrophic events to raise money, raise awareness, and provide relief. 

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The Continued Conversation on Caliban and The Tempest

Noah had a very quick, and admittedly legitimate, criticism to my previous post regarding some of my interpretations of William Shakespeare’s The Tempest. There are some claims that I won’t be able to defend, such as the question of Prospero’s honesty: It’s evident in the play that he’s not exactly the most forthright when it comes to his intentions. For example, he did hide Miranda’s origin from her for most of her life, and he constantly spied on and manipulated others with the use of Ariel and his magic. With that being said, many of Prospero’s claims regarding Caliban and the island could indeed be put under question. Continue reading “The Continued Conversation on Caliban and The Tempest”

Michelle Wolf in Effigy: The White House Correspondents’ Dinner

As we finished our last class today, I thought it was only appropriate that I attempt to apply course concepts to an outside event. I stand a mere 10 days from finishing my time at Geneseo (as long as I survive my Capstone!), and I wanted to be sure that concepts like those presented by Joseph Roach were applicable to me outside of the microcosm of our classroom. Which is lucky, because I’ve got something on my mind. Continue reading “Michelle Wolf in Effigy: The White House Correspondents’ Dinner”

Fem Future Unchained

Similar to Clio in her blog post “Janelle Monae’s ‘Make Me Feel’ and Commemorating the Dead”, I was so inspired to write a post of my own after watching Monae’s recently released emotion picture*, “Dirty Computer” (which if you haven’t taken the 48 minutes and 37 seconds out of your day to watch it, I highly suggest you do as soon as possible). Monae’s visual album is steeped in political sentiment with notions of queerness, blackness, and femininity float to the surface.

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