Back to Profanity

In one of my previous posts, I discussed the profanity found in The Fifth Season and The Obelisk Gate. In that post, I didn’t talk about “rogga” or “still” as slurs, mostly because the real world parallel to rogga is both obvious and something I don’t feel qualified to talk about. However, I would like to return to profanity by discussing still as a slur.

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The Uncanny Valley (no geological pun intended)

I first learned about the concept of the Uncanny Valley in a class I took with Professor Kirsh (psychology) called Parenting in the Zombie Apocalypse. One of the very first things we covered was why zombies, and other monsters found in the genre of horror, are scary to us. Besides their physical danger to living humans and their mindless pursuit of wiping out all of humanity, zombies are simply creepy because their appearance falls in the Uncanny Valley.

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Profanity and World Building

One of my favorite things about The Fifth Season is the incredible amount of detail N.K.Jemisin puts into her worldbuilding. Even the profanity the characters use is appropriate to the world they come from (thank you, Professor McCoy, for pointing this out). However, how do you build a new profane vocabulary? What words do you choose to be considered explicit in the context of a world completely different from our own?

Disclaimer: this post uses profane words.

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On Geophagia

In Dr. Farthing’s lab on Monday, one of the things that stood out to me was the discussion of Hoa and the consumption of geological materials. Professor McCoy’s mention of kaolinite led to me researching its potential nutritional value, eventually leading me to the term geophagia, or the eating of geological materials, specifically earth, soil, or clay.

According to the same source, geophagia is defined by psychologists as a form of pica,  a mental disorder that is characterized by eating objects of no nutritional value. However, this website does mention that eating clay does not necessarily a pica patient make, as “some cultures promote eating clay as a part of medicinal practice.”

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Velikovsky and Ancient Civilizations: What Can We Really Know?

When reading the introduction to Apocalypse by Amos Nur, I came across the term “Veliskovskyian” for the first time. The quote in whole reads “Rose [an archaeologist] demanded that, before one can hypothesize that an earthquake destroyed a society, one must prove not only that it happened, but exactly how it happened. Without proof, he claims, such a hypothesis is no more than a Veliskovskyian-style science fiction presented in the guise of science” (Nur, 3). Essentially, Nur is paraphrasing the view of opponents to his theory that civilizations were more frequently destroyed by earthquakes and other geological events than previously thought. From context, we can extrapolate that Veliskovskyian means outlandish, but where does this term come from?

Immanuel Velikovsky (also stylized as Veliskovsky because the conventions of the Cyrillic alphabet do not always translate well into the English one)  was a Russian author who was active during the mid to late 20th century with his most famous work, Worlds in Collision, coming out in 1950. Velikovsky’s specialty was analyzing ancient texts. Eventually, using comparisons of various ancient texts such as the Bible, he came up with a theory about our solar system and the effects of astrological events on human civilization that remains controversial to this day. 

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On Boats and Containment

I have been trying to write this post for a while now, but only recently did Professor McCoy provide me with the lens to critically think about what I am attempting to discuss in this post- containment.

I grew up on boats, yet I am terribly afraid of drowning. Starting at age four, my father and I went on canoe camping trips every year in the Adirondacks. I started sailing with him at age six, and at age ten, I learned to sail on my own. My family vacations always include water, usually going to the Thousand Islands or the Adirondacks and bringing a few of our eleven and a half boats (my dad is currently building one) with us. To add insult to injury, I was a competitive swimmer in high school. What I am trying to say is that I have absolutely no reason to be afraid of drowning. Continue reading “On Boats and Containment”

Monty Python and the Black Plague as a Model for the Zombie Apocalypse

When reading Zone One, the phrase “Bring out your dead.” really stuck out to me for some reason that at first I couldn’t place. Then, it hit me: it reminded me of Monty Python and the Holy Grail. I have embedded the clip above, but essentially, the person collecting the bodies of those who died from the Black Death calls “bring out your dead!” Eventually, around a minute in, one person tries to drop off a “body” that isn’t dead and hilarity ensues. [Sidenote: if you’ve never seen Monty Python and the Holy Grail or the musical version Spamalot, please do.]

Besides the obvious parallel between a not-dead body and the skels of Zone One, Colson Whitehead is clearly referencing the body disposal practices from the Black Death era as performed in this skit, performing a memory of another plague and another time of need for the prevention of the spread of disease. Continue reading “Monty Python and the Black Plague as a Model for the Zombie Apocalypse”

Tarot Cards and Cycles

In class on Monday, we viewed tarot cards made after Hurricane Maria by artist Jo Cosme. Because this class is so much about origins, I, of course, had to look up the history of tarot cards, and what I found was very different than what I thought I would find. Tarot cards are much beloved by people like one of my high school friends, who genuinely believes in astrology and aspires to be a Wiccan. As such, I thought that tarot cards would have their origins in some sort of religious or occult context.

Instead, what I found was that tarot cards originated in Italy as a game for the upper class. At first, tarot cards were simply like a fancy card deck, commissioned by the upper class to play games like bridge. Later versions emerging in the 14th or 15th century were not unlike M*A*S*H*,  the game kids used to play to “predict” their fortune in elementary and middle school. It was a fun way to spend an afternoon. This same article cites artist Bill Wolf, who designed a very popular limited edition tarot deck. Wolf speculates that tarot cards were a sort of “choose-your-own-adventure style card game.”

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Whatever Happened to Ivor Van Heerden?

When going back over When the Levees Broke for the recently due essay, I remembered a figure that Professor McCoy (quite a while ago) recommended we look further into. This figure is Ivor Van Heerden, formerly the deputy director of the Louisiana State University Hurricane Center, fired after Hurricane Katrina with no reason given.

In Levees, Van Heerden was the one who made the models predicting that the levees would break under the force of Katrina’s flooding. After the storm, he publicly blamed the United States Army Corps of Engineer, saying they were directly to blame for the deaths and damage done by Hurricane Katrina. This drew a lot of fire from Louisiana State University. He even wrote a book about it called The Storm: What Went Wrong and Why During Hurricane Katrina-the Inside Story from One Louisiana Scientist, published in 2007. In 2009, LSU chose not to renew his contract (which ended in May 2010). The reason given was that Van Heerden was bringing bad press to the university, which would lead to decreased funding from the state government. Continue reading “Whatever Happened to Ivor Van Heerden?”