Big Freedia and Queer Erasure

When Dr. DeFrantz guest lectured our class on Friday, I was ecstatic to learn more about dance. As a die-hard theater kid who was called “allergic to moving with any sense of purpose” by my high school theater teacher, I was excited to be included in a dancer’s environment in any capacity. Before the class started, I saw Dr. DeFrantz pull up Beyonce’s “Formation” video and I saw the room buzz with anticipation and speculation. Continue reading “Big Freedia and Queer Erasure”

More on Patricia Smith!

I suppose the time has come and gone (or at least shifted) from our focus on Blood Dazzler by Patricia Smith. However, I have been moved by her words ever since, particularly those of “Katrina” and “11 A.M., Wednesday, August 24, 2005,” in which Smith personifies Hurricane Katrina. This led to our classes’ exploration on the significance of naming. I’ll admit, I’m a huge poetry nerd, and since then, I’ve even been inspired by Smith to write several different poems on names and origins.

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Making a “True” Statement vs. Stating the “Whole Truth” in Photo-Journalism

What does it mean to be a journalist? In my mind, it means reporting on local, regional, and even international events that can effect any number of people. I believe that the news should always be truthful and without bias. We can see from most if not all media sources, that there is some level of opinionated language used in that sources articles. Even if it is not intentional, bias can sometimes sneak into anyone’s writing. During one of our previous English 432 classes, we took a look at some of photos taken of New York following Hurricane Sandy. These photos illustrate New York city, holding onto what little electricity it had left. Continue reading “Making a “True” Statement vs. Stating the “Whole Truth” in Photo-Journalism”

Forgetting Typhoon Tip

By Matt Albanese, Noah Mazer, Tree McNulty, Isabel Owen, Melissa Rao, Don Rothwein, and Davina Ward

The Story of Typhoon Tip

The scientific knowledge for Typhoon Tip/Warling is extensive. According a 1980 article entitled “An Analysis of Super Typhoon Tip” by George Dunnavan and John Diercks, Tip is the most studied storm in recent memory. Forty piloted missions were flown into the storm. The mission was carried out by the 54th Weather Reconnaissance Squadron at the Anderson Air Force Base in Guam.

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Global Connections: Invisible and Hypervisible Salvador

 

Gamboa de Baixo, a low-income black neighborhood in Salvador, Brazil. The construction of Contorno Avenue in the 1950s and 60s rendered the neighborhood invisible by placing it directly under the road, which symbolized modernity and progress for Bahian elite.

“This process of forgetting is essential to the social construction of the city, creating in essence two cities, a ‘visible city as much as an invisible city.’” –Keisha-Khan Y. Perry, Black Women Against the Land Grab: The Fight for Racial Justice in Brazil

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“When The Levees Broke” Credits

It was about the time right before Spring break when our English 432 course watched the credits for the Hurricane Katrina documentary , When the Levees Broke. It was during this class period that we analyzed each of the credited, there role in the film, and the interesting way they were filmed for their section in the credits. More specifically, we tried to interpret the reasoning behind having each of the interviewees pose behind individualized picture frames. Professor McCoy had told us that Spike Lee is a rather specific director, having reasons behind most if not all of the decisions made for his films. Is there a deeper meaning behind the use of picture frames?  Continue reading ““When The Levees Broke” Credits”

Eyes of the World – Wake of the Flood

Every decision we make pushes us down a particular path. At each moment, our choices narrow the possible futures to one singular future, and so we must bear the burden that each choice we make shuts the door on an infinite number of possibilities.

Sometimes being given a choice is harder and more damaging than if we’d never had a choice at all. Usually when we decide between options, we must also accept part of the responsibility for not choosing otherwise. This is an expected consequence if we paint humanity as moral.

Often, making a choice relies on morality. For instance, if we’re parallel parking in the city and accidentally dent one of the surrounding vehicles when no one is around, we have a choice. Do we leave a note explaining what happened and our contact info, or do we beat a hasty retreat, reasonably assured that our crime will go unpunished? The moral choice is obviously to leave a note on the dented vehicle. Even though we may not like having to compensate the owner and take responsibility for our actions, it’s infinitely more fulfilling to be able to do the right thing and choose that option as well.

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Fear City Reemerges from Memory in the Form of a Wish

Search “new york in the 70s” through Google and you’ll notice a trend of links with titles like “1970s New York in 41 Terrifying Photos,” “A decade of urban decay,” and “New York City Used to be a Terrifying Place [PHOTOS].” Likewise, you’ll find articles that take the opposite approach and address the era’s glamour, like The Guardian’s “Why we’re still obsessed with the 1970s New York of Lou Reed and Patti Smith.” A 2015 T Magazine article calls the ‘70s the  “last period in American culture when the distinction between highbrow and lowbrow still pertained, when writers and painters and theater people still wanted to be (or were willing to be) ‘martyrs to art’ […] the last time when a New York poet was reluctant to introduce to his arty friends someone who was a Hollywood film director, for fear the movies would be considered too low-status.”

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A Note on the Forgotten

I will be completely honest: when I was watching Levees, the one thing that didn’t cross my mind was the absence of animals. I mean, I love them, but maybe I was just so caught up in the powerful narratives of Lee’s documentary? As Beth said, Levees is “a work of art.” It’s supposed to move us. When Beth brought up animals in the classes afterward, I was stunned that I had forgotten about them. What happens to people’s beloved pets when they are forced to evacuate due to a natural disaster? I decided to look more into it.

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