found from craigslist

Noa Wesley is a senior at Cornell and an artist who works in multiple platforms, with an especially keen eye for photography.  found from craigslist is a Tumblr blog that Noa created a year ago where she re-posts various craigslist ads; these are absurd (and often hilarious) objects and photos that create a telling portrait of our relationship with our consumer-goods. When viewed altogether on the blog, her gallery is a reflection of our contemporary identity and how it evolves with the internet and social media. Additionally, it has challenged some of my own ideas on what we constitute as “art”.

Noa is an old friend of mine, and a chance encounter with her this weekend led to a discussion about her blog and how it covers themes such as “performance”, “waste”, “origins”, and many others that are prevalent in our classes’ texts and discussions.

One of the things that you notice when looking at Noa’s blog is that the humor derived from the ads comes from the amateur nature of their photographs; while sometimes it is obvious that the seller is trying to be humorous, it is normally ambiguous whether or not the comedy is intentional. This ambiguity is what drew me to her blog; Noa’s selection does not feel mean-spirited because she is not making fun of the sellers or their advertisements. Instead, she is inviting the audience to interpret and relate to the sellers. She told me “These are artifacts that are brought from the private sphere and into the public. I think it’s interesting that the person behind the camera has a relationship with these objects that they don’t want them… at one point they had a use for these objects.”

There is also a sense of primitive and amateur mercantilism on display that I find very interesting “Some of the photos are just so unappealing,” Noa says. “If someone posts a picture of a used makeup brush and it’s in a pile of dirt, who is going to buy it?”

In the texts in class, we explore the ideas and feelings behind homes and property, as well as the often careless swindling that goes into the trade. While I find Noa’s blog intriguing as an extension of both personal and financial performance, I’d love to hear your own thoughts!

Democracy and Citizenship in Our Time (and in Mr. Blandings’ Time)

On Friday April 7, 2017 I was fortunate enough to be able to attend one of the panels during the Democracy and Citizenship in Our Time teach-in that took place on campus. Topics that were discussed during Panel II included LGBTQIA+, education, economic inequality, immigration, and disabilities. I was particularly intrigued with what Dr. Kathleen Mapes had to say surrounding economic inequality in America and how this problem has been brewing for decades.  After our recent viewing of the 1948 film, “Mr. Blandings Builds His Dream House”, I felt this topic to be especially relevant to the themes that we have been discussing thus far in this class this semester and I wanted to explore how economic inequality is presented in the film and the effects that it has on the audience’s interpretations of what it means to build your dream home.

Continue reading “Democracy and Citizenship in Our Time (and in Mr. Blandings’ Time)”

Housing Loss: The Grief & Other Losses

I’ve been considering how it affects a person to lose their home as a result of foreclosure, extreme weather, or otherwise. In my dirge essay, I touched on how Lear and Leah were impacted by losing their homes in King Lear and The Turner House. Fortunately for me, I have no personal experience with losing my home, so this post will be pulling mainly from the readings. Continue reading “Housing Loss: The Grief & Other Losses”

Space in Mr. Blandings Builds his Dream House

I had never before seen Mr. Blandings Builds his Dream House, but after watching it in class I was struck by how much it related to my own upbringing, specifically in the context of space.  In the movie, it is comically shown that the 4 person family does not have enough space in their Manhattan apartment.  Scenes such as Mr. Blandings and his wife fighting over who gets to use the bathroom mirror demonstrate that personal space is definitely an issue for this family, and is ultimately what leads to their moving out of New York City.  Growing up in New York City myself, I can relate to these issues of personal space, and although they are certainly comical in the film does not mean that they are at all an exaggeration.  Sharing a one bedroom apartment with my sister and two parents, personal space always was, and still is a point of contention in our household. Continue reading “Space in Mr. Blandings Builds his Dream House”

Just a Bit of Appreciation

I don’t have any ideas on how Dominion might relate to the housing crisis yet, but I’m finding this book to be interesting in other ways. It is certainly a slow read; long and heavy. However, I do enjoy the language. It’s wonderful overall, but every so often there’s a moment when I pause and reread a piece of the language I especially like. It’s like finding little treasures scattered throughout the book.

Continue reading “Just a Bit of Appreciation”

Mr. Blandings’ Dream House and Aunt Jemima

The end of Mr. Blandings Builds his Dream House filled me with a rage I did not anticipate. The Blandings’ maid Gussie ends up saving the day with a slogan for Mr. Blandings’ WHAM advertisement without knowing it, saying “If you ain’t eating WHAM, you ain’t eating ham!” The movie then ends with an advertisement of Gussie’s photo with her slogan under it. Thanks to Gussie’s work, Blandings is not fired and he and his family can continue to live out their American dream in their beautiful new home.

Continue reading “Mr. Blandings’ Dream House and Aunt Jemima”

Similarities Between the Beginning of Dominion and Passover

I thought something really interesting about the beginning of “Dominion”, at least the parts that we read Tuesday,  was that it reminded of the holiday Passover. I am not sure if I would have made the connection without Passover being on my mind right now because the holiday begins this Monday. For anyone who doesn’t know what Passover is; it is, in simplest terms, the story of how the Jewish people left Egypt after being an enslaved people for hundreds of years with the help of Moses and G-d.

Part of what made me think of this section as the story of Passover was when Jasper got rid of Ould Lowe by making him sink to the bottom of the body of water. For me this reminded me of the part of the Passover story where Moses, with G-d’s help, was able to split the sea and led the Jewish people away from the approaching Egyptian army. When the Jewish people were safely across Moses let the sea become one again, trapping the soldiers underneath the sea and killing them.

 

When Jasper killed Ould Lowe he was able to truly start his new life, just like once the Egyptian soldiers were gone the Jewish people could begin their new lives for the first time without being an enslaved people.

 

For anyone who wants to read more about the story of Passover here is a link: http://www.chabad.org/holidays/passover/pesach_cdo/aid/1827/jewish/The-Passover-Story-in-a-Nutshell.htm

Circling Back To/With The Dirge

Beth invited me to “loop back” to the conclusion in my Dirge essay and unpack it more on the blog, so in this post I am both circling back to the Dirge essay, and circling with it, as I explore the Dirge as a navigational tool that true to its etymology, provides direction through the often non-navigable crises of grief and loss in general. I write that the root “direct” “suggests that [the dirge] is grounded in the struggle of navigating the “liminality” of loss in general – the intangible “state of betwixt-and-betweenness” as author Joseph Roach discusses in Cities of the Dead: Circum-Atlantic Performance (37).” I contend that considering the etymology of the word “dirge” and its roots in direction, our course may “feel like a dirge” in that it is often a somber commemoration to the loss that is associated with the housing crisis, but outside of that lament it is also our map to help us navigate the crisis and the concepts surrounding it.

I think it’s important to explore the dirge within the context of this post and the act of circling back to old content. With Beth’s direction (see what I did there), I was reminded that it’s not only permissible but often necessary to circle back and revisit what may be “in the past.”  Continue reading “Circling Back To/With The Dirge”

Dream Houses

It’s funny to me how something can have slipped entirely out of your memory, and then the barest hint of anything related to it can pull the whole memory to the forefront of your mind.

I’d completely forgotten that I’d ever seen Mr. Blandings Builds his Dream House before, and I didn’t realize it when Dr. McCoy said the title of the movie out loud. I actually remembered it when I saw the actor who played Bill Cole in the opening scene. Continue reading “Dream Houses”