I don’t mean to jump ahead, but Sara’s post got me thinking about Morrison and her potential motives for her writing. I too have been exploring some of the intersections between Beloved and A Mercy that I have seen so far (I haven’t finished A Mercy yet). I was intrigued by Sara’s question, “What inspired Morrison, if not her own personal experience of discrimination?” This then reminded me of one of the questions brought up in the first class meeting: “How can we parallel Morrison’s work to what we see in society today?” While I can’t speak for Morrison, I like to believe that at the end of the day, Morrison, like many others, is trying to achieve a more equitable society through her writing. Continue reading “Morrison’s Potential Inspiration”
One of the questions posed on the first day of class was whether or not reading one Toni Morrison book was akin to reading them all. I am very intrigued by this because, while most authors have definitive and clear themes and styles that they write in, would the fact that Toni Morrison is a more prolific author mean that she in fact has overcome that obstacle? I’ve only ever read Morrison’s Beloved and a small portion of Sula one lazy afternoon, and forgive me, but I’ve no intention of reading all of her works to find the validity of that question. However, my curiosity was fueled even more so after reading (slowly) A Mercy. To put it plainly, Morrison has an incredible command of the English language, her writing is at times poetic, and her characters embodies numerous styles of writing. I was so awed by her language that I reread the first few pages of Beloved in order to see what I had missed out on, because I didn’t have the skill to recognize it in high school. I saw a common theme of strong women, but not so much the poetry. So doing further research I learned that Beloved was published in 1987 while A Mercy was published in 2008. A twenty-one year difference is to a writer, I believe, a lifetime, which explains what I would loathe to call growth, but rather difference in the works. I was also able to find this article which is a book review of Beloved, by Mervyn Rothstein in the New York Times, from 1987, and contains a quote by Morrison that has stuck with me ever since hearing it last year in another class taught by Dr. McCoy ”It was absolutely the right thing to do, but she had no right to do it.” If you’ve not read Beloved, I won’t ruin it for you, but that is a profound statement even without the context.The article also explains Morrison’s inspiration for A Mercy and how she went about researching to write it. Finally, I think that I will be coming back to the question of whether or not to read one of Morrison’s books is to read them all, I haven’t found a suitable answer and hope you all keep it in your minds as well throughout the semester.
I thought I’d use my first blog post to express my hopes and concerns for this course for the upcoming semester. Normally, I would go into a new course thinking about what I will “gain” from it, or how my study of the various assigned texts will be “useful” to myself. But something feels wrong about this method of thinking with this course. Continue reading “How to Read Texts Not Written for You?”
This semester, I will be conducting a directed study with Maria Lima on British Black Short Stories. I look forward to the connections and interesting perspectives that reading Toni Morrison’s novels alongside the works that I will be reading for Maria will provide. This past week we had our first meeting, and she suggested that I watch A Terrible Transformations, Africans in America. This is a documentary that focuses on the unique history of Slavery in America– one that moved from a system of indentured servitude of all races, to the kidnapping and enslavement of people of African heritage. Overall, I found the film to be quite beneficial towards my understanding of the enslavement of people based on race in the United States, and thought perhaps it could benefit the rest of the class as well.
Along with a better historical understanding, I also found that there were significant connections between A Terrible Transformation and Morrison’s A Mercy. The documentary discusses the conditions of the Slave Ships and Middle Passage–the trading of slaves that D’Ortega subtly makes references to as “factors out of his control.” The documentary also discusses Slavery as something that affected not only the Slave owners and Slaves themselves, but an entity that was tightly intertwined into the American Social and Economic system, in such a way that all people were affected indirectly. This issue is that something that we discussed as a class upon reaction to Jacob’s notion that he “does not deal in flesh.” Just because his direct commodity is not buying and selling slaves, we determined that he is not entirely blameless, due to the fact that he deals in goods that are primarily harvested by enslaved labor.
If interested, I would strongly recommend viewing this documentary. It is available on Youtube, and I have provided the link below. I believe that it provides a sound historical understanding that could be of aid when dealing with the issues that Morrison addresses in her novels.
After looking at Jacob’s contradictory denial of dealing in “flesh”, which Hannah does a good job of explaining in her post, I started thinking about the ways that Toni Morrison made Jacob first appear to be a benevolent character, only to contradict that appearance after closer reading. The most obvious attempt to show Jacob’s altruism, in my opinion, was his rescue of the raccoon in the beginning of the chapter.
Saving a baby animal is about as in-your-face as Morrison could get to show that Jacob is a lovable guy, but she brings the raccoon back several times in a way that I think reveals the part of himself that Jacob denies. Continue reading “Jacob and the Raccoon”
I have never previously read a Toni Morrison work, and upon hearing about this class being offered, I knew I had to take it. I have always been interested in history, and what life was like in eras before me.
I believe that it is crucial to learn about our history and in my previous experience learning about it, I was not very engaged reading out of textbooks and observing powerpoints. Novels are powerful; they allow the reader to connect with a fictional or nonfictional character and experience firsthand their life and the lives around them. Toni Morrison takes slavery and presents it in such a way, that it really allows the reader to vicariously understand what times were like when black slavery was present in America. In the first two chapter’s of A Mercy, we get a sense of how the story is told; through perspective narration. This way of storytelling is engaging as well as informative, as it allows readers to understand the emotions, feelings, and thoughts of the people forced to live in this absurd era.
Hey, all. I just wanted to share this short reflective essay that I wrote to Beth a few days ago, detailing some thoughts on my self-identity in relation to Toni Morrison’s works and the upcoming semester:
Toni Morrison writes for black people. I’ve been thinking about this statement over and over again since the first day of class. It wasn’t until the end of my first fiction workshop that I had considered using my narrative voice to talk about the black experience. I wrote a short story about the creation of the notorious Bloods and Crips; gangs that have been tainted by media and corrupted social structures; gangs that began as clubs and fraternities for underprivileged minorities who couldn’t join white clubs in the community. That story still haunts me to this day.
By the time I had dabbled in poetry and left the world of fiction behind—albeit temporarily—I had already written a myriad of pieces about what it meant to be black in America; poems ranging from topics like Emmett Till to the slave trade. At the time, I was still a novice when it came to discovering my voice: what did I want to talk about? what was I using my poetry to do? was I writing for myself or for others? I also didn’t want to limit myself to one topic of discussion; in other words, I didn’t want to be the black male writer—because I was definitely the only one in all of my workshops—who specifically wrote about the black struggle. The thought of this troubled me; it made me feel stagnant. I was afraid that those around me thought that I was cliché and was only using my voice for shock value or guilt tripping. I think about this now, and maybe I was indeed right to do those things. Continue reading “Beginning of Semester Reflection and Hopes”
*SPOILER IF YOU HAVEN’T FINISHED THIS WEEK’S READING
During this week’s reading we learn through Lina that the “you” Florens continually addresses is a blacksmith–a FREE black man who worked on the estate Lina and Florens reside at.
During her sections, Florens repeatedly displays her infatuation with this blacksmith: Continue reading “I’m Infatuated by Florens’ Infatuation”
Having previously read Beloved, and now reading A Mercy, I found myself curious about some more of Toni Morrison’s background. In particular, I was curious about where the inspiration for her books came from, considering both had a similar context and themes. Interestingly, I found out that Morrison was born in Ohio and attended an integrated school. Continue reading “Toni Morrison’s Inspiration?”
After our discussion of racism and reading on the first day of class, I did some research on Toni Morrison and her views on slavery. I came across this guardian article on her views. I paid particular attention to the part on her critique of American history. I say that in the second chapter, Morrison makes a statement on the reasons behind the acceptance of oppression of black people, and the ideology that leads to its continuation over centuries. Jacob Vaark is offered a payment and states “flesh is not my commodity,”(25) which gives his disapproval of the transaction, despite his eventually acceding. I say that Toni Morrison did not use this exchange to indicate a moral superiority from Vaark. I say that she’s in fact demonstrating Vaark’s tacit approval of slavery, and relaying to the reader the cultural and economic reasons that permitted slavery to continue for centuries before ending in the civil war, and for oppression to continue for years after.
I present French philosopher Slavoj Zhizek’s work to inform Morrison’s statement on slavery. Zhizek discussed the concept and danger of cynicism as an ideology. This ideology occurs when someone disapproves of an ideology (slavery for ‘A Mercy,), but participates in the system anyways due to their economic benefits from participation, The ruling class in particular, would refuse to change a system they believe is wrong simply because they’re secure while in the current ideology. A summary of Zizek’s writing that I am using can be found here. Though Toni Morrison’s work never directly connected with that of Slavoj Zizhek, I say she intended to the same concept of cynicism in ‘A Mercy’ with Vaark, to demonstrate the hopeless situation blacks were thrown into with slavery, in concision with her theme of hopelessness for black people. Zizeks’ stated ideas are merely the best quantification of that concept of cynicism I could summon.
By verbally rejecting slavery, Vaark represents moral high ground for those empowered by the system. However, Vaark ultimately does accept a slave girl in payment, which I say is Toni Morrison’s indication that disapproval in a system but continued participation without action is tacit approval. I’ll dig even further for Morrison’s meaning. Vaark is also a merchant. As stated by Hannah Embry in her post, he obeys the system by purchasing goods produced by slaves in the triangle slave trade (Africa-Americas-Europe,) and therefore gives profit to the system of slavery, therefore he’s engaging in cynical ideology by acknowledging his principled disapproval of the system of slavery, yet participating anyways. I say that by developing Vaark, the white protagonist’s character, in this way, Morrison uses cynicism to show the way the endless cycle of slavery and greater black oppression continues. Since the enslaving class profits from slavery, they are unwilling to change the even if they morally oppose it. As a result, powerless black people like the narrator in Mercy are forever swept up in the apathy.