Being a person is confusing. Octavia Butler does not hide that within her Xenogenesis trilogy. Oankali society is in a perpetual state of “trade” (Womb 5.) Throughout the trilogy, Oankali-human society is drastically transformed. It is at first divided between Oankali and humans, and then Earth becomes inhabited by constructs who are regulated by the older Oankali. Finally, there is independent life beyond the older Oankali. Even so, the changes this trade creates are broader. Individuals within Oankali society are limited because they cannot transform from Oankali to human or vice versa. Instead, they remain, for the most part, as what they were born. Although they change over time with new development, such as Lilith gaining additional strength with Oankali aid, no individual experiences a fundamental change which is beyond their personal limitations. This is what it means to be a part of the planting of the future, what it means to be the “tiny positioning movements of independent life,” but never its final position (Imago 16.) There is no final form of society, and therefore there is no ultimate, perfect person. All of us are a part of the blurry transition from one era to the next. This transitory Oankali society gets me to thinkING about my own life. Society is constantly changing around me. However, I am one person, and cannot adapt myself into the societally superior version of myself every five minutes. My task, then, is to reconcile the fact that I need to change and cannot change everything; that I am valuable but need the skills and actions of others. To commit to this reconciliation not only requires that I learn from others, but that I act in a way which allows them to keep their will and their autonomy. I do not want to move into the future only to press my outdated beliefs about what is morally correct onto others.
In my Inspire paper, I wrote about how Xenogenesis demands that its readers re-evaluate their preconceived frameworks of hegemony in imagining and enacting social change. More specifically, though, I’d like to revisit this subject in the context of sexual power dynamics prevalent throughout the trilogy.