I write this in response to Michee Jacobs’ post about civil disobedience. I was initially drawn in by the mention of Henry David Thoreau and my own knowledge that his name is likely to follow any literary considerations of civil disobedience. My own work with Thoreau and his subsequent essay, Civil Disobedience, was under the Thoreau-Harding project here at SUNY Geneseo and dealt with the life of the man who wrote Walden as much as it dealt with questions of morality and ethics. Thoreau and his family are really outliers of their decade and were known to hold some very progressive ideas in juxtaposition to the time period. I appreciated Jacobs’ point that civil and uncivil disobedience have a need to coexist though my own understanding was that a choice was always made between the two. Continue reading “In Response to Civil & Uncivil Disobedience”
During most of The Fifth Season, I wasn’t sure what to make of the Stone Eaters. In hindsight, it’s clear that Jemisin deliberately wanted to keep me as uncertain as I was in the beginning as the story progressed and I still did not have a satisfying view of what they were and what they were doing. It was only when we read a post by Jemisin where she said “the stone eaters aren’t ‘mythological’” that I finally confronted why I wasn’t sure of how to view them. While I didn’t see the Stone Eaters as mythological, I didn’t know what category to put them in. Now it’s clear to me that I saw them the way Jemisin was hoping, as humans, even if I continued to be wary of their motivations.
After being captured by Antinomy, Alabaster learns how the seasons started. He learns that curious orogenes created a hole that reached into the core of the earth, expelling the moon and causing apocalyptic seasons.
Ultimately, one can summarize that digging the hole was waste of time and energy, much like college! This class has made me realize how much of my education is wasted because of stress about money or the one number that defines my ability to succeed in the future, the dreaded GPA. It costs over 20,000 dollars a year to go to a state school if you are a New York state resident. By the time you finish school, you’re well over 80,000 dollars in debt. Most people, in addition to school debt, have to pay rent, car payments, insurance payments etc. Therefore, the debt gets paid off gradually. Since it’s being paid off gradually—and not immediately—your loans are incurring interest.
The best part is that all of this is that your whole future (and ability to pay off this massive debt) depends on your GPA. I’m going to law school. My whole future depends on how I look on paper. They will look at this number, and make a decision that is crucial to my future. It feels like, the worse my grades are, the bigger the hole is. If I keep them up, minimal damage is done, but if I let them slip, I expel the moon and set off deadly seasons in my life. Continue reading “Waste”
In one of my previous posts, I discussed the profanity found in The Fifth Season and The Obelisk Gate. In that post, I didn’t talk about “rogga” or “still” as slurs, mostly because the real world parallel to rogga is both obvious and something I don’t feel qualified to talk about. However, I would like to return to profanity by discussing still as a slur.
With some inspiration from Brigid’s post about comparing The Stillness with the Earth that we all call home, I want to expand on another idea related to this, that we have also briefly brought up in class: Jemisin has so beautifully created a world that we have recognized as vastly different from ours, which makes The Fifth Season a stunning example of a wonderfully executed science-fiction novel (hence being awarded The Hugo Award for Best Novel, wow!). However, thanks to the film we watched in class on Friday, which I believe was called The Last Angel of History, I began thinking of the similarities that are also present between The Stillness and our Earth, such as natural disasters, discrimination, loss, emotion, and so on. Despite the dystopian approach that Jemisin takes towards presenting The Stillness and the events that occur within it, which makes unfortunate aspects of this reality seem a million times worse than the unfortunate aspects of our own reality, there are still similarities that may not be clearly recognizable due to the genre of the book.
While reading the Fifth Season I found it interesting to compare our view of the Earth to that of people of the Stillness. Unlike the people of the Stillness, who see themselves as victims of the Earth, we see ourselves as it’s master and more recently, its protector.
It seems that in the Stillness, its inhabitants are constantly defending themselves from the Earth. They build structures for the sole purpose of defense, hoping to withstand Earth’s mighty blows.They follow stonelore, making sure each town has a wall and each structure has a “flexible central beam”(Jemisin 171). In our world, architecture cannot just be functional, it must also be aesthetically pleasing. In every age we build structure like the pyramids, the Parthenon and the Taj Mahal to show the future how great they were, not necessarily how “practical” they were. In the Stillness, pragmatism rules. Continue reading “A Comparison of Worldviews”
Although sexuality has evolved into a subject that has become more comfortable to talk about in modern day society, it is still far from being completely unraveled. Thus, I genuinely appreciate the casual manner sexuality is integrated into the world Jemisin creates. It’s a breath of fresh air to see sexuality so freely and for the most part, uninhibited. Jemisin has a skill of incorporating sexuality into the character’s arcs that expresses their passion without making it overly crude or vulgar. I find in mainstream media, artists have difficulty including a love scene to further the plot versus putting one in for the sake of nudity in the piece.
Jemisin can be seen utilizing sexuality throughout the book with the characters like Alabaster in “The Fifth Season.” For instance, in Chapter 16, Alabaster casually mentions his homosexuality to Syenite as he recalls a painful memory with a Guardian. Before coming across this part, I did not realize the easygoing attitude most have towards sexuality in the Stillness. But I also was shocked that I am almost incapable of imagining a world with such unrestricted sexuality – fictional or not. It is strange to imagine a world without such “boundaries” and societal expectations to follow. In addition, I was surprised to learn that Tonkee was transgender, especially since Jemisin easily weaved it in, and did not make it a shattering statement.
I honestly really loved the Dirty Computer video, I even watched it twice. I found myself fist-pumping with her feminist lyrics. I find her views very important, and her activism very powerful, because of her intersectionalism. She is a black, queer woman, and therefore one of the most discriminated against members of American society. The empowerment in her video was clear and powerful. I also thought it was cool how she incorporated some very relevant, current events pieces. One of the girls’ underwear read “I grab back” in reference to the counter-activism to President Trump’s remarks about “grabbing women by the pussy.” These specific pieces of activism in Monae’s video give even more power to the work– there is no question as to what she’s advocating for and against.
In an attempt to begin to answer the ominous question, “Why should people who care about rocks care about social justice?” and vice versa, “Why should people who care about social justice care about rocks?” I propose that we first examine the increase in natural disasters all over the world. We can see how studying tectonic plate movement and other areas of geology may help us to better “forecast” (rather than “predict,” as Dr. Giorgis from the SUNY Geneseo Geology department explained) at-risk areas for natural disasters. These areas are then marked as less desirable to live, and real estate prices plummet, leaving many people stuck in possibly dangerous residences with no way of leaving; anyone who does not have an upper-class socioeconomic status must sell their old house to be able to afford a new one, and who wants to purchase a house that is prone to the devastating effects of earthquakes? Continue reading “The Connection Between Rocks and Social Justice”
While there is so much to unpack when discussing Janelle Monáe’s Dirty Computer,” I find it really incredible how much of a different experience it is to solely listen to the track vs. watching the emotion picture as well. The emotion picture gives off a picture of a very oppressive nature throughout the majority of it that those who do not fit into the specific box of what is “norm” in the US experience. Meanwhile, while the specific songs mention the impacts of this oppressive environment, they are all extremely empowering and give off a powerful tone of reclamation. Continue reading “Oppression and Empowerment – Past and Future of “Dirty Computer””