Beauty is Pain

By Sarah Bracy, Lauren Ngo, & Jose Romero

The first line of our blog post, “Starting Over After the End of the World” reads, “With pain there is beauty…” and now that we have finished reading The Stone Sky and have learned about Syl Anagist, we realize this line carries a much deeper meaning. We now know that Syl Anagist was built on the pain and suffering of stone eaters (at that time called tuners), who were treated as less than humans because they were created to emulate the Niess people, for whom the people of Syl Anagist had a deep distrust and hate. We were originally led to imagine Syl Anagist as a beautiful utopia, an unattainable ideal that everyone needs to work towards. But Jemisin soon revealed to us that the breathtaking Syl Anagist was only so beautiful because its people gleaned power from Father Earth without a second thought. In The Stone Sky, Hoa says at one point that these Sylanagistines used the magic that came from Father Earth because they believed he had no feelings — in short, they assumed he had no humanity. Continue reading “Beauty is Pain”

Essun’s Story, a Slave Narrative

Understanding a Slave Narrative

In the period of American history shortly before the Civil War, a type of biography became quite popular in the north. These were the stories of those slaves escaped from the South who could either write their own tales, or dictated to abolitionists their harrowing experiences as slaves. Famous among them where the stories of Frederick Douglass and William Wells Brown, which depicted a life of being looked down upon or treated as an animal or inferior at best. Many of these stories show a person on the run for a great part of their lives, constantly on the move with little sense of home or safe refuge.

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Exploring Collaborative & Interdisciplinary Work

By: Sarah Bracy, Lauren Ngo, & Jose Romero

In our first blog post as a team, titled “Starting Over After the End of the World”, we were successful due to our ability to communicate with each other effectively and work collaboratively. Because we worked so well as a team for our first blog post, a few of us decided to do a couple more together, now that we are finally able to utilize each other’s strengths and knowledge in the most efficient manner. Our post turned out to be even better than we planned because it brought together all of our individual ideas and transformed them into something interdisciplinary and multifaceted. However, this polished final product started off as a pile of scraps that we didn’t quite know what to do with at first. Continue reading “Exploring Collaborative & Interdisciplinary Work”

The Importance of Humor

A good book is one that can make you cry, laugh, scream, and shake with anger all at once.  If the book is lacking in even one of these departments than it’s not worth it and you should put it down and look for greener pastures.  For me, humor has always been difficult to find in books, often times jokes can come off as cheesy or really offensive. Nonetheless, when it is done right, humor can be helpful in setting the mood and keeping the plot moving.  Without humor, books run the risk of being dry. Humor, in general, serves many purposes and Jemisin utilizes them all throughout the series.

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Requiem

 In this trilogy, death is everywhere, no character escapes it without being changed by the loss.  As in the real world, the characters are constantly finding ways to cope with the pain. The tuners, on the other hand, seem to have the wisdom and spiritual knowledge to see death, heal others and in the process, make death as beautiful as possible.

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Mamma Mia

Throughout the Fifth Season and The Obelisk Gate, the idea of finding  Nassun kept Essun from giving up and gave her a reason to live. Nassun never left her mother thoughts, in her mind she was always looking for her.   When Hoa tells her that Nassun killed Jija, she blamed herself for her daughter’s destructive behavior. Ruefully she says, “I made her into me. Earth eats us both, I made her into me.” She no longer has the mission to find her daughter and now must come to terms with her motherly regrets.  She thinks she no longer has the right to be Nassun’s mother, especially after realizing that her nemesis Schaffa did a better job loving her child then she did. She tried to prepare Nassun for the cruel world that a awaited her. She thought to herself, “He wouldn’t have had to break her hand, would he?… Schaffa was affectionate with her, as you struggled to be.” Fear was more important than love. Ironically, she became afraid of her own daughter. Continue reading “Mamma Mia”

Not Your Prince

A father’s presence contributes to the development of a child. They are the first introduction to males that a child has. Specifically, the emotional connection they have to their daughters plays a vital role in the establishment of their self-esteem, mental health and the ability to interact. Jija’s connection to Nassun has always confused me. Jija’s fear for the orogene race led him to take the life of his only son. Yet despite being as enraged and violent as he was, Jija refrained from attacking Nassun and fled with her instead. This need to spare his own daughter is daunting in light of the traumatic event that occurred just previously. It is a display of the strong emotional connection within a father/daughter relationship.

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On Beauty and Being Stone

In another course myself and Sabrina Bramwell are taking this semester, we are reading Zadie Smith’s On Beauty, a novel based in exploring contemporary ideals of beauty, academia and self.  It is, in fact, a novel almost as completely opposite from Jemisin’s Broken Earth trilogy as possible, taking place not in a future other-world involving people who move mountains and eat stone, but instead in a contemporary other-but-still-quite-similar university and focusing upon the lives of two families riddled by ideological differences, affairs, issues of ethnicity, and art.  And yet, both Sabrina and myself have been finding a myriad of connections, especially to do with ideals of beauty, between the works, despite their seemingly enormous differences in genre and content.   Continue reading “On Beauty and Being Stone”

Nobody Panic: I am an Orogene

I have a confession, both myself and Sabrina Bramwell are academic orogenes. I know how that must sound, crazy, but its something that we both noticed after dicsussing our different approaches to writing blog posts. While we are both orogenes, we come from different academic disciplines, yet we still exhibit similar writing skills, like Essun and Ykka. We established that we have different measurements and ideas of successful writing and how to achieve it, but have come to a middle ground on how to make our “academic orogeny” more beneficial for the both of us. Continue reading “Nobody Panic: I am an Orogene”

“So let’s get to it.”

The Stone Sky’s final line is a fairly uncomplicated thing, a term we often hear shortly before we begin our tenure into an objective, obstacle, so-on. I’m very well clinging for final reasons to fill the white space on a post, but the line itself is a clear-cut statement of motivation and the like. The line in question also provides some resolve in wanting to get things done. Although I am still of course terrified all the same.

Looking back on several of my posts have me truly wondering if any of those posts were out of genuine merit and curiosity or just to fulfill an obligation. The line alone “So let’s get to it” still resonates as an necessity despite whatever intent there may have been. The same can be said for the very foundation for education and the (incredibly) daunting task of obtaining the general license of said majors in order to in extension – obtain a career. No matter the title of this post, it’s still rather daunting all the same to give so much time, effort, and finances to produce the degrees we are highly sought after. This issue has been a stalemate in my own educational progress for a very long time now, which is in itself amazing that some of us are willing to put so much of ourselves towards something we generally have no idea what shall come of it.

With all of that meandering said, I’m reminded of a section on p. 229 of Jemison’s third book – “You know the end to this. Don’t you? How could you be here listening to this tale if you didn’t? But sometimes it is the how of a thing, not just the endgame, that matters most.” What I suppose I could be saying is that the getting to it all brings a great deal of pressure. Getting to it is easier said than done, and I am rather cynical of the whole “fake it ’til you make it” idea. At the very least, there’s no shame in failure as long as we’ve learned something. In a far less detrimental example, caring about a post or not caring as much may be no different, as long as there is something to grasp in the meantime. Essentially this may count as a long-winded “hang in there” for those who may need it.