I saw this TED talk and was particularly interested in Stefon’s Harris’ points about listening and reacting, and how the characters in Jazz seem to function like a jazz band on the bandstand in that sense.
Continue reading “Jazz and Listening”
Both A Mercy and Beloved are filled with mother-child relationships, many of which drive the stories. In A Mercy, we see Florens and a minha mae, Florens and Lina, Sorrow and Complete, as well as Rebekka and her various children. In Beloved we have Sethe and Denver, Beloved, and her sons, as well as multiple mother figures for Sethe herself. I couldn’t even begin to cover the dynamics between mothers and children in the two of Morrison’s books that we’ve read so far in one blog post, though Sarah P. mentions Rebekka’s relation with her children here. Yet in thinking about mothers and children in Beloved, especially Sethe’s relationship with Beloved, I noticed that the way which Morrison introduces Beloved seems to create parallels between Beloved and the development of an infant. Continue reading “Beloved Through Stages of Infancy”
After looking at Jacob’s contradictory denial of dealing in “flesh”, which Hannah does a good job of explaining in her post, I started thinking about the ways that Toni Morrison made Jacob first appear to be a benevolent character, only to contradict that appearance after closer reading. The most obvious attempt to show Jacob’s altruism, in my opinion, was his rescue of the raccoon in the beginning of the chapter.
Saving a baby animal is about as in-your-face as Morrison could get to show that Jacob is a lovable guy, but she brings the raccoon back several times in a way that I think reveals the part of himself that Jacob denies. Continue reading “Jacob and the Raccoon”