During class this past week, we were provided with a packet of some of Dr. McCoy’s favorite poems. As a class, we took the time to read the poems aloud and internally reflect on each of them. While all the compiled poems appealed to me, one in specific caught my attention. A certain rawness and vulnerability surrounded Cornelius Eady’s poem, “Crows in a Strong Wind.” The poem offers a duality by evoking both simplicity in its subject, but complexity with its underlying message. I believe this duality and the poem’s connections to class resulted in it being my favorite among the others. Continue reading “Flying Back to Cornelius Eady”
While scrolling through the (Im)Possibilities blog this past week, I came across a blog written for the Steve Prince class that had underlying connections to our course. In Claire Corbeaux’s recent blog post, “Providence and the Baby Dolls,” she discusses the concept of providence and how it relates to Kim Vaz-Deville’s book, Walking Raddy and society at large. While this post doesn’t directly relate to our class, I found that the central theme of “providence” connects to the material we’ve been working with, especially in terms of Victor La Valle’s novel, The Big Machine.
As Claire begins to write, she notes that her class’s guest speaker, Dr. Cope, explained providence in relation to the Puritans. According to Claire’s post, the Puritans defined providence as “God’s control over the universe and its happenings as well as the lives of individual beings.” After reading this sentence, I realized that providence has developed as a theme in LaValle’s novel. Continue reading “Providence and the Unlikely Scholars”
Walking into the library this morning, I decided to start crafting a new blog post. Unlike last semester, I’ve noticed that ideas for blogs haven’t been popping into my mind as easily for posts, yet I’ve remained calm and hopeful that I will find my groove soon enough. Walking past the CIT desk, I noticed a new table on the main floor of the library. The table was covered with markers, small pieces of printer paper, and pieces of card stock with pre-printed positive quotes on them. One of these quotes specifically caught my attention. The quote read, “Healing is not linear.” Continue reading ““Healing is not linear.””
The first time I heard the song “Wade in the Water,” I was a freshman in high school scrolling through Spotify. I came across the artist Jamie N Commons, whose voice caught my attention, and so I looked around on his page. At the time, one of his more recent covers was “Wade in the Water” and so I clicked on it and gave it a listen. Without knowing its deeper meaning, I loved the song. The way Commons sang the song with his low and raspy voice captivated me, and so I continued to listen to it.
Four years later, I found myself at Geneseo, enrolled in a multitude of different classes, including a writing seminar on the Civil Rights Movement. While sitting in class one early Tuesday morning, Dr. Crosby showed us a video on singing in the Civil Rights Movement. Lo and behold, the activists in the video were singing the song “Wade in the Water.” While it wasn’t exactly Common’s raspy, low voice I had grown accustomed to in high school, the lyrics and the beat were the same. It was undeniably the same song. Continue reading “History Through Song”
After class the first week, I looked over the courses epigraphs, pondering which lucky quote I would choose to open my blogs with. While reading them over, one in specific jumped out at me. I had spotted a small-scale recursion!
In the quote, “My job is to notice…and to notice that you can notice,” Dionne Brand repeats the word “notice,” circulating a word three times to emphasize a theme. Similar to how one topic can start a class and end a class, recursion can also occur in a single sentence. Continue reading “Looking Back to Notice More”