What This Class has Taught Me as An Artist and Writer

If you’ve read any of my blog posts by now, you might have already noticed my deep admiration for my Mexican heritage, my family, and my love for art. Growing up, I was surrounded by my rich, diverse culture, and have always identified myself as a visual artist. My Mama and sisters have always supported my art and continuously encourage me to continue practicing and creating, despite my decision to not follow any particular art career. As I reflect back on what I’ve learned in this course, I can see my transformation, primarily through my THINKing process as an artist. That is of course, learning how to SLOW DOWN not only in the way I think and approach art, but also in the way that I create and write about it. Just as Beth suggested early on in my writing, slowing down is part of the process. Drafting, walking away, returning, revising, setting it aside, and returning once again, are all things I had to learn and am still working on.

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The Significance of Language

In early April, Dr. Catherine Adams led our class discussion with a dialogue grounded in the current local news at the time, most notably the blackface incident, the many ensuing letters published by the Lamron, and several other less discussed bias-related incidents that occurred all around campus at the time. She spoke of what we choose to see versus what we choose not to see versus what we are in a position to see. The most important takeaway I gathered from this conversation as well as the conversations that stemmed from a message from another professor that Dr. McCoy passed on to us after the fire at Notre Dame is that now, more than ever, we need to be especially conscientious of the language we use and how it may be perceived. Continue reading “The Significance of Language”

Won’t You Be My Neighbor? : Representation of People of Color In Media

By Lindsey Kriaris, Abby Ritz, and Helen Warfle

Many of us grew up watching Mr. Roger’s Neighborhood, which is commonly referred to as one of the most wholesome shows to ever exist. And it certainly is, but in more ways than just the kindness exhibited by Fred Rogers himself— the show, which began airing in 1968, was one of the first to include a black actor in a positive role and one of the first with an African American in “a recurring role on a children’s television series.” François Clemmons played Officer Clemmons, the policeman who did rounds in Mr. Rogers Neighborhood. In real life, Clemmons was a black, gay man who, due to the prevailing homophobic attitudes of the time, remained closeted, but was embraced by Mr. Rogers both in the show and in real life, to the point where Clemmons viewed him as a father figure. The two of them remained friends until Rogers’ death in 2003.

Mr. Rogers and Officer Clemmons

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Striking A Pose

On April 1st, my class The Art of Steve Prince had a guest Professor, Mark Broomfield who teaches dancing. Although he did teach us all how to dance, his primary lesson focused on how we as a society apply gender roles to movements and poses. He separated us into groups and had us come up with two dance moves; a feminine one and a masculine one. We performed our collective moves and he then asked us what made our moves feminine and masculine. He talked about how we assign these gender roles to body movements, but ultimately they are just movement that anyone can make regardless of what gender they identify with. He then asked us to counteract our original gender assignments to the dance moves. Each group came up with different solutions-mine perform both moves at the same time to make them appear unisex.

During the exercise, I was reminded of my experience in the world of cosplay, as a comic book fan. It is probably already a bit obvious even to those who don’t read comics, but women are extremely sexualized and objectified in the comic book industry. Throughout comic book history, female superheroes are often either drawn in positions of vulnerability on cover art, or are meant to be striking a powerful pose, but the attention is drawn to their boobs and butts, negating their power. This isn’t an ancient practice either, as recent as this year a comic run “Heroes in Crisis,” from DC came out with a panel in which Batgirl is showing a scar on her lower back. Except, the scar isn’t the primary focus of the illustration, her butt is.

Many have argued that male characters are just as sexualized but the argument is simply ridiculous. Male characters are drawn to look attractive yes, but when Batman is captured by the Joker, we don’t get cover art of him in a cage crying, facing ass up. We get cover art of him looking angry, in chains. Male characters are never drawn in positions that make them look inherently weak, but women are generally either drawn to look  weak or drawn to look sexy, or both at the same time.

As bleak as the comic book industry is, there is a silver lining. The extreme exploitation of women within the industry does not often carry over to the world of cosplay. I was reminded in class of the poses I use when being photographed. Many are not necessarily unfeminine, but they are all meant to make my character look powerful. The picture above is my go-to pose for Zatanna, a magician hero, me casting a spell.

There is of course the famous Wonder Woman pose, which is a staple in any female cosplayer’s lineup. It is a stance that radiates power, shoulders back, fists on hips, legs apart. There is a considerable amount of push back on gender stereotypes within the cosplay community and I hope as time goes on, the world of comic books will improve as well.

In class that day, I really saw the both/and when looking at the gendered body movements in dancing, and cosplay. I really appreciated that we all tried to defy and push back against these made up roles, and I really appreciate Professor Broomfield for teaching us. Dancing is such a joyous act and it was great to find a way to address things like gender roles through something that still brought happiness to everyone.

Read, Discuss, Reflect, and Repeat

For my last blog post of the semester, I usually reflect on the growth I’ve seen within myself. More specifically, how I’ve grown in terms of my writing skills, how I analyze information as a student, and how I learn to appreciate literary works as an individual. However, for this blog post, I have decided to write about the course concepts and the lessons I’ve learned from them. Our class on “African-American Literature” may focus on writing from a different cultural perspective, but I also appreciate how the coursework could be related to one another and we could circle back our conversations to work we’ve done earlier.

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Collaboration

Among the most powerful abilities humans have exists the teamwork, community, and collaboration. When people come to work together, they both produce a sufficient result and in the process of that result, experience the wonders of teamwork, developing their collaborative and individual skills and often building fantastic bonds.

While individuals are certainly able to function to their best ability through their own endeavor and hard work, there are limitations present in the ability of a single person. Teamwork is beneficial in terms of its efficiency and also in the subsequent removal of stress when one can rely on another. There are several complications that may arise in an individual’s attempt to complete daily work, especially in the attempt to manage all of their course load in an often-stressful environment like a college campus. Collaboration is an answer. Continue reading “Collaboration”

Ricky, Our Narrator

Like Tayler, I was interested by the Big Machine quote, “In case I don’t survive, I want you to know this is my voice. Ricky Rice. Your father” (LaValle, 366). In her post, “Meaning & Measure,” Tayler suggests that Ricky’s story is a measure of his life. I think it’s particularly interesting to consider language as a measure of life in the context of Big Machine, because Ricky is telling his own story. Continue reading “Ricky, Our Narrator”

How Do Doubt and Recursion Connect?

“Doubt is the big machine. It grinds up the delusions of women and men.”- Victor LaValle, Big Machine

After reading Victor LaValle’s Big Machine. I’m still thinking about the recurring idea of doubt. My blog posts “Doubting Doubt” and “Cycling Through Doubt” both deal with what it means to doubt and why people do it. At first, I thought that the course epigraph, reproduced above, cast doubt in a negative light. After reading through Big Machine and seeing the quote in context, I realized that doubt is is a necessary human trait. But I still have one question: what does this have to do with recursion, if anything? Continue reading “How Do Doubt and Recursion Connect?”

Triangular Trade?

In my last post, I left off briefly discussing the European powers that developed the transatlantic slave trade— a presumably three-point cycle between Europe, Africa, and the Americas. Dr. Catherine Adams, professor of history department and co-coordinator of the black studies department led a discussion in our class about the black experience during Western colonization. We looked at poetry and books to further dive into the relationship between how people talk about slavery.

This semester I am also taking a course specialized in the geography of sub-Saharan Africa taught by Dr. Rogalsky of the geography department. In this class we read the book, Into Africa: The Epic Adventures of Stanley and Livingstone by Martin Dugard. This book— as the titles alludes to— tells the stories of the two explorers: Dr. David Livingstone and Henry Morton Stanley during their explorations of Africa to ultimately fine the true source of the Nile river in the late 1800s (which, if you were interested, is still a highly debated topic).

I would first like to point out the fact that without the native Africans, these two explorers would have little to no success or would have died pretty quickly. Stanley especially, had three to five caravans of Africans those of who carried supplies, provide knowledge about ethnic tribes and boundaries, helped with local illness, and more. Unfortunately, Stanley was ruthless and mistreated the porters to a point where in the novel the porters at one point wanted to kill him. If one porter escaped, he would send other porters to go retrieve them. One thing that I found mind boggling was that a lot of the early European porters would rename already named locations amongst the locals. After Stanley’s exploration ended his fame for the exploration aided the creation of the transatlantic slave trade. 

www.crispusattucksmuseum.org

In our class with Dr. Adams, we discussed the appearance of the transatlantic slave trade. In the photo, it appears to be a linear system: with goods leaving both the Americas and Europe into Africa and with materials leaving Africa as well. However, one separate line holds the arrow that labels slaves going from Africa to the Americas. The more we looked at in class, we realized that the ‘triangle’ was nothing short of nonlinear. We discussed how it can be insulting to refer to things as ‘bodies.’ You call many things bodies: as in bodies of water and other types of space. That is why it is so important to reserve the dignity of those humans.

A Needed Self-Confidence Boost

As I start writing my last official blog post of the semester, I wanted to take this opportunity to share how this class impacted my confidence not only as a writer but an intellectual. Before this class, my confidence as a writer had dropped significantly. But because of this class, I was able to rediscover my writing confidence.

I had previously had a not-so-great semester in the fall, so I was hesitant to have to start blogging again. I was scared my writing wasn’t going to be as skilled as others. I shortly discovered, however, this class was not like my previous class with Doctor McCoy. Since the class was an interdisciplinary course, there were many non-english major students who were feeling the same way as I was intimidated.

After the first few classes, I engaged in many conversations with others about how they were nervous to blog as well. Because of that, I was able to gain some of my confidence back because I realized I wasn’t alone.

Throughout the class, I became confident in my writing again & I am truly thankful I decided to enroll in this course, even if it was scary at first.