Review on Steve Prince’s “Urban Nativity”

Steve Prince is known for depicting many themes in his work; Christianity and the lives of Black Americans are two big ones.

As many of Prince’s pieces are more symbolic, this one, “Urban Nativity” is a more blunt take on these topics. Take note that Prince’s usual characteristics are still present-the block shaped pants and shoes suggest that the horsemen of the apocalypse are standing over the dead body. Symbolically, the horsemen may represent the men who’ve killed the victim. They may also represent passerby’s, who are unfeeling to the tragedy in front of them, as bystanders, they are are also responsible for this boy’s death. The dead body is only covered by a cloth, which forms Prince’s trademark dove. This dove suggest that the boy who died was innocent and peaceful, his death was a great tragedy and wrongdoing. The dove is also lying on the ground, meant to mean that peace is dead too. Lastly, a price tag hangs from the victim’s foot. This can be taken to mean many things, but I think the simple message it is supposed to bring to those viewing Urban Nativity is that a price was put on this person’s life and that the world didn’t slow down to mourn, it was desensitized to his death.

More on Thee / The (or THUH), and a Cross Cultural Look

I am continuously fascinated by the English language. I truly enjoy thinking about what the words I’m speaking mean on a deeper level, thinking about how language transcends time and human bodies, and how we speak these words differently based on all aspects of our setting. In class today, we scratched the surface of a discussion on the word “the” and its various pronunciations. In this post, I’ll dive deeper into that conversation, question why we do what we do when we speak, and look cross culturally to see what’s going on across the pond, so to speak. Continue reading “More on Thee / The (or THUH), and a Cross Cultural Look”

The Pleasant, More Positive Narrative

The pressure to look and seem positive can be proven by societal expectations and through literature. The pressure to uphold a certain facial expression or narrative is consistently forced. One example of seeming positive can be shown when telling women to smile. Journalist Jess McHugh states, “You should smile more” isn’t just an annoying catcall; it’s a social demand.”

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What I Mean to Say Is…

The goal I set for myself at the beginning of this semester was to more actively consider the practice of “doing language.” My conversations with Dr. McCoy have helpfully provided me with the metaphor of being “plugged in” to sockets that I am not aware of or did not consent to. Today’s exercises were a very useful literal example of “doing language” on the microscale—considering “thE” and “thUH,” considering whether a sound originates from my chest or from my throat. I don’t often think of language as such a physical, bodily process. Continue reading “What I Mean to Say Is…”

GEN『E』SEO: The Myriad of Navigating Geneseo’s Binaries [5]

The turtle, dwarf,  an amorphous blob, a teenage boy, and a dopey-looking corgi scurry up the cliff. The turtle was sweating as he carried the corgi, the dwarf followed by stoically, the blob was somehow swimming its way up, the teen had a look of terror, and the dog looked about as happy as any dog would be when they saw new people. 

The crew heard scuffling and splashing water below. The hobgoblins below were trying to get across the strong river and its currents which the team had previously managed to get across. However, as one hobgoblin tried to get onto the hill, the current below pulled them back in. The teen let out a sigh of relief as he made it the top of the cliff.

When the teen made it up, he spotted a dead pine tree; it was about 25 feet. However, its roots were dead and right on the very edge of the cliff. The teen runs over to the tree and starts pushing it; the other team members caught on and pushed with him. The corgi barks, the turtle and dwarf push with their backs, and the blob idly watches. Just as, the enemy had gotten on the cliff, the tree toppled down and onto the enemy. The setting quiets down but as the crew begins to relax, the teen spots a huge gray cloud coming north. They had gotten themselves into more trouble.

(Artwork by:  Cristina Daura)

Continue reading “GEN『E』SEO: The Myriad of Navigating Geneseo’s Binaries [5]”

Pushing Back

Where most of my thoughts surrounding Joe Moran’s Interdisciplinarity once centered around the manner in which language defines or informs science and vice versa, a comment from Dr. McCoy in lecture a few weeks ago caused me to look back to the art of Steve Prince and reminded me of the intersection between the humanities and sciences that occurs within many of his works. Dr. McCoy stated that she would like it if someone could explain to her the physics behind the horsemen and their carrying of what appears to be a representation of the city of New Orleans in Prince’s piece entitled, “Dirge.”

29.5″X42″ Graphite Drawing

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Saartjie Baartman: The Story of the Many Sides of Autonomy

(Trigger Warning: this blog post contains discussions of racialized sexual violence against black women.)

A figure who has come up A LOT in my scholarship this semester is Saartjie Baartman.  Baartman, or the “original booty queen,” was “the most famous black woman in 19th-century Europe.” (In lieu of perma-linking the same article over and over again, I’m indicating now that the first permalink is the only source I’ll be quoting.)  She was a native of South Africa and worked as a servant until she and her employer hatched a plan.  They decided that they would go to Europe and “make [Saartjie] a star in the human freak show circuit.”  Due to her large buttocks, she and her employers figured she’d become a hit in the eyes of western europeans who had never seen women like Saartjie up close, they’d only heard rumors which focused on the “exoticism” of eroticized body parts (read: longer labia and larger buttocks). Continue reading “Saartjie Baartman: The Story of the Many Sides of Autonomy”

Brockway the Artist

In my last blog post, I briefly touched on Glenn Ligon’s idea of “Send me something from where you are, but don’t come here.” In this statement, Ligon is describing the process of cultural appropriation and the troubling trend of black artists not receiving credit for the things they create. As I thought more about this idea, I began to wonder about how I could apply it to other works we have read throughout the semester. After re-reading a number of sources, I have the conclusion that Ligon’s statement is perfectly reflected in the chapter of Invisible Man that we read for class, particularly in Mr. Brockway. Continue reading “Brockway the Artist”

Half Glass Full…or Half Glass Empty?

The concept of recursion has been an ongoing theme in Dr. McCoy’s class. We are consistently going back, cross checking, and returning from where we came from. The first couple weeks of this class, I truly didn’t understand this process. I would say to myself, “Ok, never going to read that again”. However, I did not appreciate the work as much as I should have, and the more I return to our earlier work from the beginning of the semester, the more questions I have and want to be answered.

Sitting in my Foundations of Creative Writing class this past week, we were engaged in a class workshop where we critique each others work. One of my classmates wrote a poem about war and toyed with the word “creature”, ” The townspeople cry up to the metal creatures of the sky”, comparing airplanes in war as these “metal creatures of death”. Instantly, this word brought be back, almost like a “That’s So Raven” moment. I found myself sitting in McCoy’s class again, sweating from the over heated Welles room, watching the snowflakes fall, dreading having to walk in the cold. I started to remember our class discussion of creatures in “Bloodchild”, the power-hungry “creatures”….or are they? I eventually tuned back into class but went straight to our blog posts, digging for Toby’s post, “What Makes a Creature?”. I remember reading it and thinking “Ok, cool”, unaware that his post would inspire me months later. Recursion is real! Continue reading “Half Glass Full…or Half Glass Empty?”